And each of these photos has its own story. But only a few become globally known, replicated, used in modern culture and are called photoicons. Thousands of photographers work around the world, capturing events, places, people and animals every day, producing hundreds of thousands of photographs. The most famous photographs The most famous photographs in the world The film’s slogans, particularly “The Revolution is My Boyfriend,” started to be widely quoted online and on t-shirts and banners, neatly mirroring the radical chic critiqued in the movie.Įxcerpt from Make Porn, Not War: An Interview With Bruce LaBruce.The most famous photographs (57 photos). I just figured everyone else in the world was jerking off to the image, so I might as well show it literally. They argued mostly that we “demeaned” and “defiled” the image of Che, although I didn’t really intend having a hot porn star jerk off on a blow-up of the Che image to be demeaning at all – more of an homage, really. 'The film is a critique of radical chic and both a critique and celebration of the radical left, but it is obviously anti-capitalist, so the irony of being scuttled by Che and Korda over copyright was bitter. The damages were reduced to about €8,000, but we had to cover the court costs, so we ended up having to pay about €30,000 (the budget of the film was about 60,000!), effectively erasing all our profits from the film. We got a famous gay French lawyer, Emmanuel Pierrat, to defend us, but we technically lost. The lawsuit was launched in France, which has some of the toughest copyright laws in the world, but the sixty-page court document was delivered to my door in Toronto by a local sheriff, so it was pretty heavy. It played at over a hundred film festivals and was on its way to becoming a cult hit when, about six months into my tour with the film, Jurgen and I got hit with a million dollar (Canadian) lawsuit for copyright infringement by the Korda estate. In an interview from 2018 the Canadian filmmaker talked about the lawsuit:
Alberto korda underwater photography movie#
In 2005 Bruce Labruce's producer Jürgen Brüning and Labruce himself were sued by the estate of Korda for a million dollars over the use of Korda's famous photo of Che "Guerrillero Heroico" in Labruce's movie The Raspberry Reich. His second wife, Natalia (Norka) Menendez, was a well known Cuban fashion model. "My main aim was to meet women", he once confessed. This unique creativity turned the Korda Studio into something more than just a prosperous business it became an art studio. Korda had unique creative ambition that he used to rise above in style when compared to the unimaginative cultural perspective of traditional Cuban photography. He was master of black-and-white photography who looked for perfect composition and framing. Korda disliked artificial lighting he said it was "a travesty of reality" and only used natural light in his studio. Korda became Cuba's premiere fashion photographer. In the early years, Korda was most interested in fashion because it allowed him to pursue his two favorite things, photography and beautiful women. It was this style that Studios Korda quickly became identified with achieving. It was the money generated by these jobs that allowed Korda to develop his unique style of looking at an image from another angle, different from the traditional photographers’ studios. Most of the jobs were photographed by his studio partner, to keep their business going. Initially, Korda and Pierce took a variety of jobs ranging from fashion to advertisements. In 1953, Korda opened his first studio with a photographer named Luis Pierce. When he opened his first studio, Korda had an opportunity to learn from his mistakes and to stop the yellowing process by using the right chemicals for the correct durations of time. The quality of Korda's work as a beginner was very poor after a few months the image became blurry and the paper yellowed. He would run back to his studio to develop the film, then return to the event and sell his photographs as souvenirs. Korda began his career as a photographer who shot pictures at banquets, baptisms and weddings. Korda was the son of a railway worker, and took many jobs before beginning as a photographer's assistant. He got his first taste of photography when he took his father's Kodak 35mm and began taking pictures of his girlfriend. Korda, whose real name was Alberto Díaz Gutiérrez, was born on Septemin Havana, Cuba.